Continuing Education

Continuing Education

By Architect, Adrienne Stronge.

 

Becoming a licensed architect does not mean that learning is finished.  Every licensed architect must also complete a certain number of continuing education hours each year.  The requirement varies from state to state, but since all the architects in our office are members of the American Institute of Architects (AIA), we are required to get 18 hours / year with at least 12 of those hours meeting the requirements for Health, Safety, Welfare (HSW) courses. 

Not surprisingly, most of the architects in our firm far exceed those requirements.  The Gaines Group has always valued education for both our licensed and unlicensed professionals.  Last week, Ray and I had the opportunity to add 13 hours to our transcript, and I believe we have both satisfied our yearly requirement. 

While most of our HSW credits came from a single day seminar by the Culpeper and Virginia Frame Builders in Waynesboro, some of our more unique credits came from the Construction Specifications Institute’s Mid-Atlantic Region Conference that was held in Richmond, VA this year.  The overarching theme this year was historic preservation.  

On Friday, there was a fascinating presentation from David Riccio with John Canning and Co.  David is a master craftsman who explained some of their techniques for restoring and preserving architectural details.  He showed how he and his team have applied gold leaf to statues and domes on historic structures.  He showed us why plastered ceilings fail and how his team repairs the problem.  His most interesting video, though, showed how he removed layers of paint from historic murals that had been painted over. 

On Saturday we got to hear from Glave & Holmes who have restored many Richmond-area structures.  They profiled two Monument Avenue houses in very different styles that they helped to restore.  Then we got to tour the Scott house on Franklin Street, now owned by VCU. This house was restored but also renovated to meet current university needs for office and meeting space. 

The conference provided lots of opportunities for networking and socializing with other industry professionals.  The product expo that ran on Friday allowed us to get new product information and meet with representatives of the products we encounter often in our buildings.  Ray even won a prize for identifying the most species of wood correctly out of all the design professionals in attendance.  There was also an awards ceremony to recognize individuals who have volunteered time with our CSI region.  Ray, Charles, and Adrienne have all devoted hours to the local CSI board and Ray and Charles have served in roles at the regional and national level.

View more photos from our time below.

First Friday Artist Claire Parsley

First Friday Artist Claire Parsley

On Friday, April 5th from 5:00pm-7:00pm, we are thrilled to start our First Fridays at the Depot back up again with a Gallery Opening featuring the multi-talented artist Claire Parsley (she/they)! Join us to welcome them and view their mixed-media gallery of cat portraits, entitled Ineffable Cats Through Time, and to enjoy refreshments and community. RSVP for this event on Facebook here and get to know them more in their biography below!

*Accessibility Note: This building was previously restored from a fire. The elevator shaft is currently not functioning and there is an absence of ramps in the space. Because the show is on the 2nd floor, this may pose an issue for those who have mobility needs. We are aware of this need and we apologize greatly if this changes your ability to attend.

 

Bio:

Hello all!

My name is Claire and I am a local artist who has scribbled on every surface and slapped stickers everywhere since I was a wee one. I love the act of creation, especially the 3D kind. I believe in building over buying any day, there is nothing more satisfying than owning something that your own magical mind thought up and your very hands brought to life. The effort and hours adds to the beauty. For this gallery I have poured hours upon hours into making cat portraits of the mixing media variety. I find them immensely silly and I hope they knock your socks off. Take your time to find the buttons, beads and cloths layered in with the acrylic paint! Thanks for coming out to my show!

If you like what you see, feel free to follow my account to stay tuned in! My official art instagram is @cparse.art. If you aren’t engaged with social media, my contact info is on my business card so definitely snag one if you want to inquire about commissions or otherwise!

 

“Ineffable Cats Through Time” Sneak Peek

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This event is free and open to everyoneSnacks and refreshments will be served and we look forward to seeing you there!

Each month we host a new artist in our building’s 2nd floor gallery at the Chesapeake Western Depot at 141 W. Bruce St. (second floor entrance is on Chesapeake). Artwork will remain on exhibit through the month. Come view the show anytime and get a tour the Depot! We will have food and drink available!

Women who’ve Changed the Architecture Game

Women who’ve Changed the Architecture Game

By Designer, Aliyah D. White.

It’s Women’s History Month and we are celebrating the female pioneers in architecture! Very rarely in history are women given credit for being innovators and way-makers in male-dominated industries – the field of architecture is no exception. Throughout history, there have been so many innovative and groundbreaking women who faced discrimination, which continues today, but they persevered and changed the field of architecture for the better.

Happy Women's History Month.

Here are ten historical women who have challenged the bounds of the architecture profession!

 

 

1. Marion Mahony Griffin (1871-1961)

Marion Mahony Griffin was the second woman to receive a degree from MIT’s School of Architecture when she graduated in 1894. After passing the Illinois licensure exam in 1898 she worked as the head designer in Frank Llyod Wright’s office for fourteen years and became well known for her skills in architectural rendering. Her unique and memorable drawing style set the brand identity for Frank Lloyd Wright’s practice. In 1911 Wright published a collection of fine-art lithographs drawn in Mahony’s signature style to give a consistent graphic identity to his work for European audiences. This set the stage for Wright’s practice to go increasingly global. This same year, she started her own practice, partnering with her husband on several hundred projects in the United States, Australia, and India.

2. Ethel Madison Bailey Carter Furman (1893-1976)

Ethel Madison Bailey Carter Furman was the first female African American architect to practice in Virginia. Her portfolio features over two hundred buildings designed during her career. She received her degree from the Chicago Technical Institute in 1946 and went on to design multiple homes, hotels, stores, and churches in Richmond, Virginia. She also designed two small churches in Liberia making her work go from local to international. Not only was Ethel an architect, but she was also an activist and advocate. She showed her dedication to her community through acts like helping to register Black voters in the 1960s and participating in housing policy seminars by the NAACP. 

3. Amaza Lee Meredith (1895-1984)

Amaza Lee Meredith is lauded as a trailblazing Architect, Educator, and Artist. Despite being prohibited from receiving a professional architecture degree because of her race and sex, she found ways around societal restrictions and was one of a few, and possibly the only, openly-queer African American women practicing architecture in the U.S. Among her many accomplishments, such as founding and teaching at the Fine Arts Department at Virginia State University, her most well-known architectural work is perhaps “Azurest South.” In bold International Style, this home is considered to be ‘one of the most advanced residential designs in [Virginia] in its day’” (source). She is also remembered for “Azurest North”, a community in Sag Harbor, NY designed with sister Maude Terry. This community was designed to be a place of vacation for middle-class Black Americans, challenging the system of segregation and daily burden of discrimination by offering a space of pride and leisure. In 1994, “Azurest South” was recognized into the National Park Service National Register of Historic Properties, and “Azurest North” is now being considered for the State and National Registers of Historic Places. 

4. Minnette de Silva (1918-1998)

Minnette de Silva is considered the pioneer of the modern architectural style in Sri Lanka. She was the first Sri Lankan woman to be trained as an architect and the first Asian woman to be elected an associate of the Royal Institute of British Architects in 1948. She was extremely well-traveled and formed friendly relationships with people like Pablo Picasso and Le Corbusier – a man many deemed the pioneer of modern architecture. Her work in modern projects focused on the inclusion of indigenous crafts, materials, and traditions, making her a visionary of critical regionalism, which she called “Modern Regionalist Architecture”. She was one of the first in the field to encourage what came to be known as “community architecture,” and actively involved the users of her buildings in the decision-making process.

5. Norma Merrick Sklarek (1926-2012)

Norma Merrick Sklarek has been deemed the “Rosa Parks of architecture”. She graduated with a degree in architecture from Columbia University in 1950 as one of only two women and the sole African American in her class. In 1985 she co-founded Siegel Sklarek Diamond which, at the time, was the largest woman-owned architectural firm in the United States. She served on multiple professional boards and committees, including the California State Board of Architectural Examiners, the AIA National Ethics Council, and the National Council of Architecture Registration Boards. She was also a lecturer, mentoring students at the University of California, University of Southern California, Howard University, and Columbia University over the span of her career.

6. Zaha Hadid (1950-2016)

Zaha Hadid was an Iraqi-British architect whose aggressively geometric designs were characterized by a sense of fragmentation, instability, and wonder. This hero is not quite unsung, as her work crossed the bounds of the sculptural and the architectural, making her intense experimental work very well known. She received numerous prestigious awards over the course of her career, including the 2004 Pritzker Architecture Prize, the 2010 and 2011 Stirling Prize, and the 2015 RIBA Gold Medal – of which she was the first woman to win. In 1979 she founded Zaha Hadid Architects and was a professor at many universities including Yale, Harvard, Columbia, and the University of Applied Arts in Vienna.

7. Billie Tsien (1949)

Billie Tsien is an architect and co-founder of Tod Williams Billie Tsien Architects | Partners, a firm who focuses on “organizations and people that value issues of aspiration and meaning” such as schools, museums, and nonprofits. She earned a Bachelor of Fine Arts degree from Yale University and a Master of Architecture degree from the University of California, Los Angeles, and is currently the Charles Gwathmey Professor in Practice at Yale University. She contributes to many cultural institutions including the American Academy of Arts and Letters, where she serves as president, the Architectural League of New York, the National Academy of Design, and the American Philosophical Society.

8. Maya Lin (1959)

Maya Lin is an architect and sculptor interested in environmental themes who is best known for her design of the Vietnam Veterans Memorial in Washington, D.C. She studied at Yale and received her bachelor’s 1981 and a Master of Architecture degree in 1986. It was during her senior year at Yale that she submitted the winning design in a national competition for the Vietnam Veterans Memorial to be built in Washington, D.C. In 2016, she was awarded the Presidential Medal of Freedom for her career in both art and architecture, and for creating a sacred place of healing in our nation’s capital. Her art and her architectural designs continue to challenge the boundaries of science, art, and architecture to find where they can intertwine and create something beautiful.

9. Jeanne Gang (1964)

Jeanne Gang is the founding partner of Studio Gang and a leading architect of her generation who is well known for her innovative designs that promote environmental and ecological sustainability. She earned a bachelor’s degree in architecture from the University of Illinois at Urbana-Champaign in 1986 and a master’s degree in architecture in 1993 from Harvard University before becoming employed as a project architect and lead designer at Dutch architect Rem Koolhaas’s Office for Metropolitan Architecture (OMA) in Rotterdam, Netherlands. She has challenged the status quo in professional practice by closing the gender wage gap in her company and has encouraged her colleagues to follow suit.

10. Julie Gamolina (1991)

Julie Gamolina (1991) is an architect, writer, and educator, known for her contributions to promoting the visibility and advancement of women in architecture through the digital magazine and media start-up, Madame Architect, which she founded and is Editor-in-Chief. She received her Bachelor of Architecture at Cornell University and was awarded the Charles Goodwin Sands Memorial Medal for exceptional merit in the thesis of architecture. She has lectured at schools like Harvard University, Columbia University, Yale University, Pratt, and many more. She currently works as an Associate Principal at Ennead Architects and a Visiting Assistant Professor at Pratt Institute.

 

And also, the woman architects and designers of our very own team!

Read more about us here.

Adrienne Strong

Adrienne Stronge (left) is a partner in the Charlottesville office, leads our multi-family project division and is our go-to for ADA compliance questions. 

Deborah Smith (right) is a partner who runs the Harrisonburg office and is the go-to for building code compliance questions.

Team Member Aimee Lawson

Aimee Lawson (left) and Aliyah White (right) are designers who aid the partners in design and drafting construction documents in the Harrisonburg and Charlottesville offices respectively.

Team Member Aliyah White

Carla Gaines

Carla Gaines (left) and Asha Beck (right) are the office managers in our Charlottesville and Harrisonburg offices respectively. Asha also serves as our marketing team leader.

Asha Beck

There are a plethora of lessons that can be learned from the lives and careers of these women. Their stories of success and perseverance inspire many women today – who currently only make up about 23% of the industry in America. Women in architecture deserve recognition for their influence over the development of the industry and we plan to continue being a firm that adds to that encouragement and acknowledgement! Happy Women’s History Month!

Design as an Act of Service

Design as an Act of Service

By Designer, Aliyah D. White.

As a firm, we practice design as an act of service. We work closely together with our clients to create projects that are completely custom and unique to their needs. Well-rounded and well-designed projects should aim to better people’s lives by taking in their ideas and input. As designers and architects, we are driven by the passion of using our skills to help people better their environments. Practicing design as an act of service means meeting our clients where they are, working hard to understand their needs, and leading with empathy and patience to help bring their visions to life. These are the projects that have the power to truly connect people and meaningfully better their environment. Here are a few examples of projects we designed with this in mind!

 Church Street Townhomes

Church Street Townhomes exterior

The Church Street Townhomes project in Christiansburg, Virginia was developed by Habitat for Humanity in New River Valley. Working together with Habitat for Humanity has been a valuable part of us reaching our goal of building strong communities and it is always a pleasure working with an organization that shares our values. The seven conjoined townhomes are fully accessible for people of all abilities and EarthCraft and Energy-Star certified.

 

Speech and Language Center

Speech and Language Center outside ramp

The Speech and Language Center in Harrisonburg, Virginia came to us with a very particular problem. The client needed to grow the functional space of the building while only being able to add a few feet to two sides of the building. We worked closely with the client and the builder to expand the space and were able to successfully deliver the right solution for this business to continue to grow and thrive. Teamwork makes the dream work!

 

Eastern Mennonite School

Eastern Mennonite School

The Eastern Mennonite School in Harrisonburg, Virginia was a renovation project aimed at converting a three-story office building into an elementary school. The project focused specifically on sustainable practices and creation care, which was important to our non-profit client. We worked together with the teachers, administration, and students at the school to create a space that would enhance the learning environment.

 

When engaging a client in the design process it is important for us to make sure they feel heard and know we are here to support them and what they want for the future of their space. We encourage all potential, current, and past clients to engage in conversations with us about what they want for themselves, and their communities, and how we can help them get there. Being in constant conversation with the people we serve is important to us, and we also can do community presentations to share our wealth of knowledge and help advance people’s community building. Including the community in the design process is an invaluable learning opportunity and allows for a greater capacity to make meaningful changes with architecture. Using design as an act of service looks like giving tools to people who do not have them and listening to their wants and needs.

Architect Bibliophile

Architect Bibliophile

By Principle Architect and Multi-Family Director, Adrienne Stronge.

I have always loved books. I have been on a lifetime of adventures from my couch / bed / chair, thanks to the amazing power of printed words. At a very young age I knew two things; I wanted to be an author and I wanted to live in a house with a library. As I got older, I realized that my talents were better suited to creating tangible buildings rather than fictional worlds, but I knew that my hobby would make me a better architect. 

Reading allows me to practice designing in my mind, turning written words into beautiful buildings without pictures to guide me. It’s like exercising my design muscle, especially with fantastical worlds that exist outside of our reality. Books also help me practice empathy. Walking in someone else’s shoes and reading someone else’s perspective works towards building empathy for other experiences. As architects, we need to be able to listen and empathize with our clients to create personalized spaces that fully meet their wants and needs.   

Adrienne's Books on bookshelf.

 

While I did not become a writer, I do have a “library” with bookshelves shoe-horned into every blank wall of my house. I love having a house full of books and places I can go to comfortably read them. If you are like me and need a place in your home for books, or even just spaces to cozy up with your e-reader, here are some tips below:

1.  Make sure your architect knows the size of your collection. Built-in bookcases with adjustable shelves are better than individually bought shelves for safety reasons, but if you will have any heavy furniture pieces, consider adding blocking in the wall for anchoring these pieces. Ensure your bookcases are designed near a bearing wall if you have a large, weighty collection. Don’t forget to design places for any oversized books in your collection, which are best stored flat to avoid stressing the spines.

2. Reading next to a window is one of my favorite places to curl up with a book, but avoid direct light in rooms with books. Direct sunlight will fade spines and make books age faster. Work with your architect to conduct sun studies that will allow enough indirect light to comfortably read but block harmful direct light. 

room with shelves

3. You will want to ensure there is no excessive moisture in the room that will house your books. A well-balanced HVAC system with a well-designed and constructed building enclosure is key for this.  

modern home harrisonburg interior
4. While I love natural light in my reading space, the room needs ample artificial light for night or rainy day reading. If your reading space will be in the center of your room, consider adding a floor outlet for your reading lamp to avoid trip hazards from wires. Direct, individually switched sconce lights over beds will allow you to continue your reading well into the night when you just need to consume “one more chapter…”

5 over 4 craftsman study room
5. I love the cozy image of reading next to a fire. An efficient heat pump should keep you comfortably warm in your home, but you could consider adding a visually appealing electric fireplace. These will give you the cozy effect of reading by a fire, without the introduction of flame and particulates to your library.

5 over 4 craftsman family room
6. For a bit of whimsy, consider using a bookcase as a hidden doorway. Creating a secret room adds a fun, unexpected element to your library.


7. Don’t forget your outdoor spaces! Make a cozy nook outside for a great reading spot. My ideal outdoor spot is covered for all weather, includes a ceiling fan to discourage bugs, includes artificial lighting for reading late into the night, and has well-placed blocking in the ceiling so I can install a swing or comfortable hanging chair.

interior screened in porch

 

If you’re a fellow bibliophile, be sure to check out the VA Festival of the Book, taking place March 20-24, 2024 in Charlottesville. VAbook.org