On August 2nd, from 5:00pm-7:00pm, we are thrilled to host a First Fridays Gallery Opening at The Depot featuring artist Aaron Moyer! Join us to welcome Aaron and view his photography exhibition entitled An Ode to the Unnoticed, and to enjoy refreshments and community. RSVP for this event on Facebook here and get to know him more in his biography below!
*Accessibility Note: This building was previously restored from a fire. The elevator shaft is currently not functioning and there is an absence of ramps in the space. Because the show is on the 2nd floor, this may pose an issue for those who have mobility needs. We are aware of this need and we apologize greatly if this changes your ability to attend.
Bio:
Aaron is a 23-year-old amateur photographer from the Shenandoah Valley. He recently graduated from Eastern Mennonite University with a major in Biology and a minor in Art. The subjects of his photography range from large landscapes to tiny bugs, focusing mostly on capturing the essence of the natural world. Apart from photography, he enjoys listening to and creating music, making yummy coconut curries, playing pickleball, and spending time with friends.
Artist Statement:
An Ode to the Unnoticed
Through the lens of a camera, the Shenandoah Valley is transformed from a small, ordinary dot on Earth into an impressively diverse and intrinsically beautiful landscape. Walking around with a camera in my hand has been a physical reminder to pay attention to the details of the world around me, and to capture the unnoticed features of life that we often forget to appreciate. In my view, a good photograph helps us remember that our lives are drenched in art and that the only barrier to unlocking a lifetime of free exhibitions lies in our perspectives and willingness to observe.
“An Ode to the Unnoticed” Sneak Peek
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This event is free and open to everyone. Snacks and refreshments will be served and we look forward to seeing you there!
Each month we host a new artist in our building’s 2nd floor gallery at the Chesapeake Western Depot at 141 W. Bruce St. (second floor entrance is on Chesapeake). Artwork will remain on exhibit through the month. Come view the show anytime and get a tour the Depot! We will have food and drink available!
On July 5th from 5:00pm-7:00pm, we are thrilled to host aFirst Fridays Gallery Opening at The Depot featuring artist April Sachs (she/her)! Join us to welcome April and view her gallery entitled Rising (March 20, 2022-March 20, 2023), and to enjoy refreshments and community. RSVP for this event on our Facebook and get to know her more in her biography below!
*Accessibility Note: This building was previously restored from a fire. The elevator shaft is currently not functioning and there is an absence of ramps in the space. Because the show is on the 2nd floor, this may pose an issue for those who have mobility needs. We are aware of this need and we apologize greatly if this changes your ability to attend.
Bio
April Sachs is an accidental artist. She currently teaches at Eastern Mennonite School in Harrisonburg, and has also worn the hats of linguist, bookkeeper, office manager, and library assistant. She enjoys writing poetry, gardening, reading, and dancing at sunrise.
Artist Statement
Rising (March 20, 2022-March 20, 2023)
In late 2021, in the midst of life-changing events, I decided to photograph a constant: the sunrise. The result is 366 sunrise photos, all taken in exactly the same spot. But they are far from identical. The images portray the same scene in many moods, reflecting the changing seasons, weather, and position of the sun (from equinox to solstice and back again).
These photos, each similar and yet unique, echo my own experiences during that year. Sometimes I felt as bleak as the cloudy February mornings, when for days at a time I had to guess at the moment of sunrise, since the sun itself could not be seen. Other days were as joyful as the mist-filled mornings of June, with a mockingbird in the adjacent pasture, singing, flying, and falling with pure delight in life. But whether my own internal weather was bleak or joyful, I knew I had foundations as constant as the sunrise. This was my year of rising.
“Rising” Sneak Peek
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This event is free and open to everyone. Snacks and refreshments will be served and we look forward to seeing you there!
Each month we host a new artist in our building’s 2nd floor gallery at the Chesapeake Western Depot at 141 W. Bruce St. (second floor entrance is on Chesapeake). Artwork will remain on exhibit through the month. Come view the show anytime and get a tour the Depot! We will have food and drink available!
This past month, I had the opportunity to travel to Peru. I am always grateful for the opportunity to travel because it broadens my world and introduces me to people both different and similar to me. Not to mention, I get to try new foods (like alpaca!). Of course, while I was there, I couldn’t help but look at the architecture. Below are snippets of the designs and structures that caught my eye.
Lima
My first stop in Peru was to Lima. Lima Architecture varies from district to district, but the architecture that I saw in Miraflores, a more touristy and commercial district, was more similar to what I’ve seen in U.S. cities. Along the Miraflores Malecón (Direct translation: “breakwater”. You can think of it like a boardwalk or costal path on top of a cliff by the ocean.), there were beautiful parks, sculptures, and a butterfly garden path.
City view from my window.
Fun shapes and color accents.
In the middle of the four lane road, there was a beautiful tree-lined path for walking, biking, and sitting on the benches.
The buildings closer to the coast were especially colorful.
Cusco
It wasn’t just the architectural design of the buildings that I was fascinated by. I fell in love with the narrow twists and turns of the Cusco streets. Although this sort of city layout is not as natural for me to navigate, it always gives me a sense of exploration and curiosity. And even though the streets and buildings weren’t laid out into a squared grid, I was pleasantly surprised to be able to locate myself by day 3 of walking around. … but boy the 11,000 ft. altitude and hills did not make walking around easy!
The building shapes weren’t shapes I see in Harrisonburg, or anywhere in the U.S. that I’ve visited. My mind was never bored as my eyes traveled the lines, jumping from one building to another.
The buildings around my Airbnb reminded me of this ink drawing that I was working on, and they gave me inspiration to complete it.
I have never seen round, concrete landings like this that seem to float outside. These were a common sight.
Spectacular detailing on a church in Plaza de Armas, Cusco.
Sacred Valley
Wow, this valley was sacred indeed. Our guide, Will was fantastic and emphasized that he was giving us an etnohistoria (translation: ethnohistoric) tour of the Inca locations, meaning the history he told us centered indigenous people’s perspectives, documents, culture, and oral history, etc., instead of history written by the white, European perspectives. He encouraged us to approach learning that day with an open mind and “blank page.” Learning from the Incan people’s perspectives helped me to understand the importance and purposes behind the architecture we visited.
This is so important for learning about cultures different from our own, especially when the history we have heard about a group has not been from them. This is important in architectural practice as we design with communities.
Architecturally, the landscape, building, and community design were expertly created to fit with the landscape and topography. Descriptions are beside each picture below.
As our guide taught us to do, I say thank you to these sacred mountains that we traveled in that hold these sacred places.
Ollantaytambo: A beautiful town within the mountains that has Incan ruins. Some of the Incan buildings in the mountains were made to store food for the years that El Nino caused a dry season in this valley. These buildings were strategically oriented towards the wind. Incans carefully designed holes in the building to allow for airflow from the wind that would prevent mold during years of storage.
The extensive stepped terraces at Moray were designed and used by the Incans for agricultural research. By planting on the different levels which varied in ph levels and other conditions, the Incas developed over 4,000 different potato varieties and hundreds of corn varieties!
Salineras de Maras, or The Salt Mines of Maras, were designed on the sloping landscape with an intricate network of canals. The water on each flat slowly evaporates in the sun and the remaining salt is harvested. They are still in use.
Massive stones on top of the structure in Ollantaytambo had portions that jut out to fit together, much like Legos.
Arequipa
Arequipa is a city surrounded by the Andes mountains and the volcano, Misti. The buildings in this city were again full of colors and shapes that I don’t see everyday in the U.S. There were also stunning churches with intricate carvings and lush parks scattered throughout the city.
Spiral staircase and rounded landing that I saw in Cusco too.
Of course, trying lots of yummy food with my family.
A question posed to me, now posed to you:
Waiting for my delayed flight at the Lima airport (at 1am), I had a conversation with a man I met in the food court that spanned everything from religion to culture to language to architecture. He asked me if there was anything like Machu Pichu and other structures from indigenous groups in the U.S. I was stumped. He pointed to the pyramids in Egypt and Tikal in Guatemala and asked why we didn’t have things like that.
I assume there are many reasons why I couldn’t think of any such locations or structures: my European ancestors intentionally and strategically destroyed elements of indigenous culture, which included architecture, as a way of assuming power? Yes. Was it just not a part of my school curriculum? Probably. Maybe the nations that lived in the now U.S. used materials that were more disintegrable? I don’t know enough about that. Maybe the groups were more nomadic? I don’t know enough about this either. Was it the fact that I was trying to speak in Spanish at 1am? Yeah, probably a little bit of that too.
I’m curious, do you know of any places? Let me know in the comments.
*Edit: Later I googled Indigenous structures in the U.S. and low and behold, there are many! Check out a few cultural, architectural sites here.
Roger Bryant, who spent over half his life with The Gaines Group, passed away peacefully on May 25, 2024. Roger’s life embodied creativity, adventure, family, and faith, but not in that order.
Roger was a man of deep faith. When I first met and hired him, the list of hobbies on his employment application included Gospel singing with his family as item number one. The depth of his faith became apparent to me as I got to know him over the 33½ years that we worked together.
Roger was a family man, even though he remained single his entire life. He often spoke of his love of family when he would talk about his nieces and nephews and his relationships with his parents, grandparents, siblings, and aunts and uncles. Roger was always there for them as they navigated the good times as well as the illnesses and tragedies of life. He participated in at least three family reunions annually, and typically organized the Labor Day gathering at the family home. He also spoke fondly of the times he spent on the Cowpasture River and at Douthat State Park each year with his family.
Roger was a world traveler. When I first met him, he had just returned from Europe. He spoke of multiple trips to Europe and “the islands”, often traveling to sing with the family. He visited The UK, Germany, and Russia over the years that we worked together, and told many amusing stories arising from these trips. When he retired, he was following his brother-in-law, Bob, on his quest to run marathons in all fifty states, watching the races with his sister, Belva. I do not know if he ever completed that particular quest.
Finally, Roger was a talented designer and mentor. His hands-on knowledge of building materials and his ability to use them in aesthetically and stylistically pleasing ways is a talent that few possess. Roger was comfortable with any style, particularly with Virginia Vernacular. His body of work also includes Georgian, French Provincial, Prairie, Contemporary (whatever that is) and a touch of Art Deco. He would always share that with our younger staff. You have most likely touched Roger’s work from his years as an industrial designer prior to 1989.
Roger’s design talent was not limited to just the built world but he was a genius at floral arranging. He did the flowers for multiple weddings over the years, and would personally arrange sympathy flowers when they were called for.
He was a loyal friend and colleague from the day he started work in January 1989 until his retirement at the end of June 2022. He watched my three daughters grow up, and mentored one of them as an interior designer. He provided a living example to them, and all of us, of how to be a Christian in today’s world.
On June 7th from 5:00pm-7:00pm, we are thrilled to host a First Fridays Gallery Opening at The Depot featuring artist Rebecca Ryan (she/her)! Join us to welcome Rebecca and view her gallery entitled Orchards in Spring, and to enjoy refreshments and community. RSVP for this event on our Facebook and get to know her more in her biography below!
*Accessibility Note: This building was previously restored from a fire. The elevator shaft is currently not functioning and there is an absence of ramps in the space. Because the show is on the 2nd floor, this may pose an issue for those who have mobility needs. We are aware of this need and we apologize greatly if this changes your ability to attend.
Bio:
Rebecca Ryan has been a Shenandoah Valley based artist since 2011. She is an acrylic artist who draws inspiration from living on her family’s working fruit farm. Her art is influenced by impressionism and open-impressionism and uses thick brush strokes of bold color to create the natural light and drama of her subject matter. Rebecca has been showing art in the downtown area since 2011 and has had gallery shows at Madison hotel and a permanent display at Clementine Cafe. She sells her art from the Harrisonburg Farmers Market in downtown Harrisonburg and takes commissions.
“Orchards in Spring” Sneak Peek
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This event is free and open to everyone. Snacks and refreshments will be served and we look forward to seeing you there!
Each month we host a new artist in our building’s 2nd floor gallery at the Chesapeake Western Depot at 141 W. Bruce St. (second floor entrance is on Chesapeake). Artwork will remain on exhibit through the month. Come view the show anytime and get a tour the Depot! We will have food and drink available!
